I am very fortunate to have been in an area that did well surviving this storm. I think the worst part of it is not only sitting through the high winds and driving rains, but worrying about if a tornado should hit or if the street starts flooding. It is also not fun having various members of your family have to go off in different directions and not being able to get to them to help if they need it. Losing electricity for several days is also not fun (food in the fridge spoils if you don't have enough ice and coolers) and temperatures can get uncomfortably high. Additionally, high heat and high humidity are not a good combination for the elderly as A/C pulls moisture of the air. When you don't have that and have breathing problems, it is not a good combination and can be life threatening.
Unfortunately, many people nearby my area did not do well. The suffered the same nasty surprise in Plaquemines Parish as the people of the 9th Ward (where I grew up) and other parts of New Orleans did in Katrina, in that houses that have never flooded before now have 8 feet of water or more, with some water up to rooftops. I can't imagine anything more scary than having to climb out on a roof when water is rising and the high winds and driving rains are still battering the area as many of these people did.
When the house my family owned in the 9th Ward flooded, volunteers from Catholic Charities came to help us clean it out of all the thing that could not be saved. I hope to be able to find an organization that is accepting volunteers, either to help clean out houses or to help take care of pets of people who cannot house them due to having lost their homes. Anyone who reads this, please consider donating to an organization that is helping the people of Lousiana or to any state (Florida and Mississippi as well) affected by this very damaging storm.
Below is an ATC I made for a swap about angels back in 2006, after the Catholic Charities volunteers came to clean out the house. I don't even know many of their names, but their hard work and willingness to help really made a difference that I will never forget.
Sunday, September 2, 2012
Tuesday, August 7, 2012
Taking Claudine Hellmuth's Class
I am fortunate to be able to take another online class, this time by Claudine Hellmuth via www.bigpictureclasses.com . The class is entitled Composition for Collage. My first piece for homework for the class is below, entitled Hearts and Flowers. I used canvas inked with Distress Stains for the background, the woman image is from Claudine Hellmuth and I printed it out on iridescent paper, the flowers are iridescent brads on paper flowers with ribbon stems, and the bottom border is a preprinted paper from my stash.
Thanks for checking out my blog. Comments are always welcome and appreciated!
Thanks for checking out my blog. Comments are always welcome and appreciated!
A Wax Paper Resist Embossing Technique
I saw a video on Tim Holtz's website (timholtz.com) where he uses his stamps that coordinate with his embossing folders to create a raised, stamped background image. I then watched a video at a later point from www.StampTV.com in which a wax resist technique was done. I liked both techniques and thought of a way to incorporate parts of both into my own wax resist embossing. So many people are out there trying techniques and making videos and blog posts, I can't claim to be the first one to try this; but, I can honestly say I have not seen it anywhere before. I taught it to my local stamp club members when I was in charge of leading the class for our meeting and they really seemed to like it.
I used cardstock cut to size to fit in embossing folder, wax paper cut to size to fit in embossing folder, Distress Inks and Tim Holtz ink applicator from Ranger, embossing folder, craft iron, heat-resistant ironing surface/teflon craft sheet (I used a folded towel to protect surface as well).
My steps for getting the wax onto the cardstock are the ones as shown on StampTV, so please go to YouTube and look at her excellent wax resist video if you want to know how that is done. Her videos are very well done and there are lots of great things to learn there!
Once I have the two pieces of cardstock with a wax pattern now melted into them, I then used the Tim Holtz Distress inks to color my paper as I like, and I got something like this below. Please note the background paper is made using a Provo Craft Cuttlebug embossing folder, however, the image is not raised at all because the cardstock did not go through the embossing machine, only the wax paper used to make the pattern did.
Taking this to the next level, I then used part of the idea from Tim Holtz's video and sent an inked image through the embossing machine so the image is raised. By taking my cardstock that has been heated so the wax melts and creates a pattern, then inking it with Distress Inks, I could then line up the cardstock with the pattern in the embossing folder so that when I sent it through the machine, it looked something like this...
What is the benefit to this, you may ask? In my opinion, the wax paper is giving an entirely different texture to the image by creating areas of voids where the ink does not absorb into the paper (resist). I really like that it gives me an entirely different look from my embossing folders.
I then swiped a darker Distress ink over the surface of my embossed and inked cardstock, just to hit the high points. This example uses same embossing folder, but colored with different Distress Inks.
And, finally, I tried one where I did not line up the pattern when I embossed it and swiped a black ink over the raised portions. This one is probably my favorite!
I think it really adds a level of complexity and interest to what already is a very interesting embossing folder pattern.
Tip: When using embossing folders with words or numbers, you are going to get a reverse image on your second piece of cardstock as in the below example. If you notice the numbers on the bottom are backwards on the cardstock on the left. That can still be something you can use somewhere and isn't necessarily a throw away.
I used cardstock cut to size to fit in embossing folder, wax paper cut to size to fit in embossing folder, Distress Inks and Tim Holtz ink applicator from Ranger, embossing folder, craft iron, heat-resistant ironing surface/teflon craft sheet (I used a folded towel to protect surface as well).
My steps for getting the wax onto the cardstock are the ones as shown on StampTV, so please go to YouTube and look at her excellent wax resist video if you want to know how that is done. Her videos are very well done and there are lots of great things to learn there!
Once I have the two pieces of cardstock with a wax pattern now melted into them, I then used the Tim Holtz Distress inks to color my paper as I like, and I got something like this below. Please note the background paper is made using a Provo Craft Cuttlebug embossing folder, however, the image is not raised at all because the cardstock did not go through the embossing machine, only the wax paper used to make the pattern did.
Taking this to the next level, I then used part of the idea from Tim Holtz's video and sent an inked image through the embossing machine so the image is raised. By taking my cardstock that has been heated so the wax melts and creates a pattern, then inking it with Distress Inks, I could then line up the cardstock with the pattern in the embossing folder so that when I sent it through the machine, it looked something like this...
What is the benefit to this, you may ask? In my opinion, the wax paper is giving an entirely different texture to the image by creating areas of voids where the ink does not absorb into the paper (resist). I really like that it gives me an entirely different look from my embossing folders.
I then swiped a darker Distress ink over the surface of my embossed and inked cardstock, just to hit the high points. This example uses same embossing folder, but colored with different Distress Inks.
And, finally, I tried one where I did not line up the pattern when I embossed it and swiped a black ink over the raised portions. This one is probably my favorite!
I think it really adds a level of complexity and interest to what already is a very interesting embossing folder pattern.
Tip: When using embossing folders with words or numbers, you are going to get a reverse image on your second piece of cardstock as in the below example. If you notice the numbers on the bottom are backwards on the cardstock on the left. That can still be something you can use somewhere and isn't necessarily a throw away.
Tuesday, July 17, 2012
Virtual Summer CHA
Another one of my interests is anything Fantasy/Sci-Fi. Spent this weekend attending virtual Comic Con by following attendees on Twitter, Facebook, YouTube, and through various news articles posted. Found out about the latest on the upcoming Hobbit movie! I have done art inspired by the Hobbit/LotR before and will have to post a pic. Just now found out I will be able to have a virtual CHA as well this week, by following Tim Holtz's blog (have to track him down on Twitter as well), as well as other great stamping artists including the wonderful ScrapTime blog. They always have great video of CHA and going to their site to see if they will be attending again this year. They can also be found through iTunes for downloading for free.
Tuesday, May 15, 2012
Dictionary page ATCs
Some of those reading may never have heard of Artist Trading Cards. The size of traditional sports trading cards (2 1/2 x 3 1/2 inches), they are made in any medium the artist prefers. Here is a Wikipedia link about ATCs http://en.wikipedia.org/wiki/Artist_trading_cards and here is a link to a site in Switzerland about the history of ATCs as well http://www.artist-trading-cards.ch/. Rules for ATCs are only regarding the size and the fact that the cards are freely traded with other artists and are never sold. I have belonged to two online groups for swapping ATCs via mail for many years and have been fortunate to swap with many very talented people all over the United States and all over the world. Sometimes a swap can have a theme proposed by the host or hostess and how your art fits that theme is up to you. The above cards are ones I made for a swap where the theme is to use a page from a book as your background. I used pages from a very old dictionary that was falling apart. Normally, I would cringe at destroying any kind of book. This book was pretty much disintegrating anyway. I salvaged the pages in the best shape and have them in my stash of interesting-things-to-do-something-with-someday. For these particular pages, today was the day! Below are two close up pics of two of my favorites. Very soon, they will be making their way through the mail to the swap hostess and from there off to other trading card artists who could live anywhere. I can't wait to see the ones from the other participants.
Tuesday, April 10, 2012
Watercolor Tag
This is yet another Creative Chemistry 101 Technique. Although the class is over since last week, I am still catching up in dribs and drabs on tags I was not able to do. I still have one done to post (Mardi Gras) and one more to do. When I am done, though, there will still be 4 - count em' 4 - techniques I was not able to try as I did not have those supplies or a substitute! It was certainly jam packed with ideas and techniques!
The main image on the above tag is done using Ranger Tim Holtz Distress Re-Inkers in a watercolor technique. I am not at all a fan of coloring by hand, but this technique allows for filling in large areas quickly. I picked a very simple (but lovely) image from a stamp company in Guam called Vivid Jungle Designs. They have some gorgeous beach/Guam culture theme stamps. You can find them at http://www.facebook.com/VividJungleDesigns.Guam. These are great quality stamps. I made my most recent purchase from them several years ago, but all the ones I got were unmounted and already on nice, thick cushion and trimmed closely.
The tag the image is mounted on is done with Ranger Distress Stains. It is easy to see how well the Distress Re-Inkers work in coordination with the Distress Stains
Sunday, April 8, 2012
Distress Stain techniques from Creative Chemistry 101
Was able to do these tags today using techniques from Creative Chemistry 101 class. First tag is marbling technique using Ranger's Tim Holtz Distress Stains. The image is a stamp from www.faeriesong.com/artstamps. I stamped in in black ink over the marbled tag. I stamped it again on a sheet of white sticker paper, cut out the outer circle with words and then placed that over what was orginally stamped to isolate the image from the rest of the tag.
Second tag is again using Ranger's Tim Holtz Distress Stains. Background stamp is a word stamp with sayings about friendship from Inkadinkado (www.eksuccessbrands.com/inkadinkado/) and overstamped in black are three stamps from Studio G (www.hamptonart.com/).
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